In the near future, the world is ruled by the Smart Brain Corporation, with 90% of the population being Orphnoch, and the once prominent human race is nearing extinction. Takumi Inui, Kamen Rider Faiz, was once regarded as mankind’s savior until, in an attack by Smart Brain troops, he was presumed dead. Since then, human rebel groups have staged attacks on Smart Brain’s complex in an attempt to steal the top-secret Emperor Belts, with no success. Kiba Yuji, Naoya Kaidō and Yuka Osada attempt to ease tensions between both races but their peace meeting is interrupted by Smart Brain troops and their newest warrior, Kamen Rider Psyga. Takumi, believing himself a young cobbler named Takeshi, regains his memory and becomes Kamen Rider Faiz again to settle things with Smart Brain once and for all.
Ryuta Tasaki
Director
Kento Handa
Takumi Inui / Kamen Rider Faiz
Yuria Haga
Mari Sonoda
Kohei Murakami
Masato Kusaka / Kamen Rider Kaixa
Ken Mizorogi
Keitaro Kikuchi
Masayuki Izumi
Yuji Kiba / Kamen Rider Orga
Yoshika Gaja
Yuka Osada
Mitsuru Karahashi
Naoya Kaido
Katsuyuki Murai
Kyoji Murakami
Hitomi Kurihara
Smart Lady
Mei Kurokawa
Mina
Mirai Shida
Young Mina
Why is 'The Green Knight' so white? People of color are so removed from the origins of 13th century art. We’re looking toward the future, and part of that should be updating aspects of our stories to mirror those evolutions.
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.
Not every film can make a shopping mall feel both magical and menacing, but Forbidden Fruits challenges that.
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.