Is Disney Finally Learning?
Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.

Maurice Vallier, nicknamed "Ma Pomme"(which means "myself" in slang), is a cheerful man, well aware that money does not make happiness and who, of all things, prices freedom. Which is why he has become a tramp and he has never regretted his choice of life. Things go smoothly until the day he inherits a huge amount of money. He first refuses it but changes his mind when he realizes that thanks to the inheritance he can help others. Even more enticing is the fact that he must share the big money with a charming air hostess. However once he deems he has done enough good he gives up the money left and resumes his old lifestyle singing along "Ma pomme c'est moi, j'suis plus heureux qu'un roi..."
Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.
"Up" features one of Pixar's few Asian-American heroes and explores the institutionalized hardships elderly people face. Also, Dug is a good boy.
Films can alleviate alienation by presenting realities where the viewers feelings are shared by onscreen characters. 'The Little Mermaid" film can be interpreted as a transgender story.
John Fawcett’s "Ginger Snaps" intertwines the lore of the werewolf to the hellish experience of a young girl going through puberty.
When you don’t factor in the plethora of inferior sequels that have been produced, Luca is one of Pixar’s simplest and most unassuming films in years — and there is absolutely nothing wrong with that. The film thrives on being a visual feast with a warm message for all ages, so much so that its unoriginal storyline doesn’t feel that big of a problem.