"The World to Come": A Stunning Period Romance
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.

He's a hick; she's from the big city. He loves his car and loud music; she's possessed by the spirit of Martha Stewart. He wants to go fishing; she wants to bring her hair dryer. He likes to dance; she was born with spina bifida. Nadia DeFranco and Dennis Sweet find each other through the Internet, meet, and fall in love. As they prepare for their wedding, they negotiate that obstacle course of fantasy, pragmatism, tradition and frivolity that is the first proving ground of a couple's future compatability. Just a Wedding honours the profoundly serious nature of love and commitment with a light and playful touch. Nadia--who captivated audiences with her guts and good humour in the Academy award-winning I'll Find a Way--and Dennis, making his screen debut, deliver direct, engaging performances... as themselves. The stark contrasts of their realities create a story of contemporary marriage that is witty, moving--and true
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
Knives Out doesn’t just defy the whodunit narrative, it uses the weaknesses to its advantage. It’s well aware of the genre’s faults and tropes
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
'The Fablemans' is Spielberg's most personal work to date, the cast delights audiences at the TIFF premiere.
After years of mediocrity, Thunderbolts* is the welcome change MCU fans were waiting for.
'The Last Black Man in San Francisco' is part fiction, part documentary. Jimmie longs for the old Victorian home that he grew up in — the house that his grandfather built. However, this home is now in an overpriced, White, San Francisco neighborhood.