Junji Inagawa's the Story of Terror IV 

Self expression among teenagers is explored in the live adaptation of Jerry Spinelli's novel of the same name.

This horror movie combines elements of horror and babysitting with Black representation.

A pop star at Radio City Music Hall gets the opportunity to change herself to save her music career.

I hate the idea that animation’s for kids; just because it’s animated doesn’t mean that it’s some silly cartoon and shouldn’t be taken seriously.

A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.

The film exhibits a respect for the craft and an empathy for human tribulations that have historically been ignored.