Julius Shulman: Desert Modern focuses on Shulman's remarkable 70-year documentation of the renowned Mid-Century Modern architecture of the Palm Springs area/ Shulman, at the age of 97, describes with humor and insight his artistic intentions and the back-story to some of his most legendary photographs. He is joined by noted architectural historian Alan Hess and Michael Stern, co-authors of the book, "Julius Shulman: Palm Springs". Stern is also curator of the "Julius Shulman: Palm Springs" exhibition which originated at the Palm Springs Art Museum in February 2008. The flm showcases Shulman's inspired photography of the architecture of Richard Neutra, Albert Frey, John Lautner, E. Stewart Williams, Palmer and Krisel and William Cody, among others. E. Stewart Williams' Frank Sinatra House is featured, as well as Richard Neutra's Kaufmann House, one of the most famous homes in America, largely due to Shulman's iconic 1947 photograph.
During the third act, the momentum stalls, largely due to the film’s obsession with Kubrick’s visual design. But all in all, Doctor Sleep is a cinematic success, defined by rich characters and high powered emotion.
Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.
When most of us think about diversity in film, we usually think about three things: race, gender, and disabilities. However, there is a forgotten topic... age. These are 12 of the best films about growing old.
Facing the world with our fair share of uncertainties and/or apprehensions, many of which, sadly, may be well-founded, is nothing to sneeze at. Influenced and buffeted by the constant barrage of social media, fake news, and general upheaval present in our contemporary reality, what IS real and what's not becomes a blur.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
If “Good Time” was a lean exercise in suspense, “Uncut Gems” is an ongoing panic attack. It handcuffs us to an immoral man, made up of selfishness and unreliability. At every point, Adam Sandler connects himself to this idiotic soul, unearthing the misguided opportunism that comes with gambling addiction
