Films that Avert the Idea Animation’s Only for Kids
I hate the idea that animation’s for kids; just because it’s animated doesn’t mean that it’s some silly cartoon and shouldn’t be taken seriously.

At the end of the Edo Period, there was a legendary chivalrous thief who stole from rich merchants and self-serving samurai and gave to the virtuous people of the town. His name was Nezumi-kozo (Rat Boy) Jirokichi. This musical is about how he competed with and was friends with the hero of so many period dramas (Touyama Kinshiro), and about the loves they surrounded themselves with in the new and progressive Japan. A Takarazuka take on the tale of Nezumi-kozo.
I hate the idea that animation’s for kids; just because it’s animated doesn’t mean that it’s some silly cartoon and shouldn’t be taken seriously.
This Nickelodeon live-action TV series features strong Black representation.
There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it.
Americans love the British monarchy. This may seem confusing because only a few short hundred years ago they were our worst enemies, and every year we celebrate our independence from them. The Crown humanizes the monarchy, which might explain its popularity.
Disney/Pixar may see a bit of a turning point with Pixar’s new Disney+ Sparkshorts short film: OUT.