The Final End - The Conjuring: Last Rites
The horror franchise that had moviegoers watching behind their fingers but on the edge of their seats. The Conjuring quartet released its final installment this year, and it did not disappoint.

The Kanto Ichienkai sways under the administration of Chairman Sakai. The fire of internal conflict did not know that Dane would die. Hitoshi and Yoshiro are taken out of the trivial mess that happened between the long-established Tatsuno group and the emerging Ginseikai. The battle between the two groups of Shima suddenly develops when Tatsuno is shot by someone. In order to suppress the runaway of Wakasugi, a member of Tatsuno who has risen in blood, Jin, who is also a former brother, persuades him. However, in the meantime, Daimon, the young head of the Ginseikai, offers to take action on the condition that Hoshiyama, the chairman of the Ginseikai, retires.
The horror franchise that had moviegoers watching behind their fingers but on the edge of their seats. The Conjuring quartet released its final installment this year, and it did not disappoint.
The short documentary and second place winner of the Incluvie Short Film Festival, Gender Outlaw: A Bodysurfing Story, challenges any simplistic understanding of trans people.
In 1971, when discussions about how to integrate their school system break down, the community of Durham, North Carolina agrees to bring in Bill Riddick(Babou Ceesay) to conduct a series of summits(charrettes) to help them move forward with desegregation.
White audiences saw Peola’s mixed-race passing as a Black woman’s struggle to be white. Black audiences saw it as the rebellion of a Black woman trying to gain privileges only given to white people.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.