“Tony” is Yet Another Good Biopic
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.

After her husband's mysterious death, Lastini believes a dark entity is possessing her daughter, Arum. With only five days before Arum's leap-year birthday, Lastini and her two other children journey across Java to seek help from spiritual healers. As the demon's grip tightens, they race against time to save Arum and find their way back home.
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.
'City of God' depicts the cylindrical cycle of violence that is forced upon the underprivileged.
This thrilling film about feminine rage and male hostility is an incredible depiction of the fragility of the male ego.
The Invitation takes a creeping look at two simple premises: reuniting with forgotten friends and new-age spiritualism. Though one seems a bit scarier than the other, the film heightens social awkwardness to a macabre level that puts an uncomfortable look on when the social taboo of grief is put on public display.
In this remake of the 1993 film of the same name, The Wedding Banquet follows the life of two queer couples as they struggle with life-changing decisions.
Like Fourth of July fireworks, the film Honey Don’t is colorful and fun to look at, delivering many bangs (sex and guns!) for your buck before quietly fading out.