Family and friends of Datuk Hamdan get together to escort his son, Amen, the groom-to-be to the bride's house for a solemnization ceremony. The excursion brings along nine trays worth RM50,000 as a bride wealth. On the way to the bride's house, their cars were attacked by a robber and all the trays were stolen from them. Saiful, an adjuster appears to investigate the incident.
It's not love. It's Obsession. The hook of this movie is the tension between wanting to be loved and the fear of being all-encompassed by that love. It plays on men’s typical (though certainly not universal) inner-conflict
Never Have I Ever season 3 is charming and hilarious as it has been in past seasons and still sports a diverse ensemble cast. However, the show doesn’t always treat its marginalized characters that well.
"Terrace House" improves on the standard reality TV format by affording its cast privacy, freedom, and respect.
Housefull 5 attempts something bold with two endings — but does the gamble pay off? Read this spoiler-filled review for a breakdown of both versions, standout moments, and why it might be the franchise’s most forgettable entry yet.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
“Reboot” can be crass and has much room to improve, but with investments of time and care, could flower out of the seed of a vision.
