David Walliams has co-created a brand new retelling of a classic fairytale, starring as the Giant in Jack and the Beanstalk: Ever After. In Walliams’ version, the Giant didn’t die after falling off the beanstalk, but escaped with a concussion and no way back to his home. Stuck in a human village, he’s forced to seek help from the unlikeliest of sources – all the while attempting to outsmart the villagers.
Sinister and suffocating, 2022's The Black Phone delivered more than just scares - it brought atmosphere, depth, and a villain audiences won't soon forget.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
Disney remakes have often gotten a bad rap for their consistent reliance on the originals and overuse of CGI. However, Mulan is a remake that is able to transcend beyond Disney's other remakes with a confident and bold earnestness.
The Legendary Clades - a family of explorers - find themselves in a strange new world with fantastic creatures awaiting them. Perhaps their greatest challenge will be healing the ties that bond.
I can say without question, that this is the first movie I’ve ever seen where art imitates life so much that I could 100% identify with it on a personal level. The predominately Black cast of characters are people with hopes, dreams, fears, and ambitions.
