Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Ivan Semenov. First Kiss poster

Ivan Semenov. First Kiss 

Under Tanechka's influence, Ivan Semenov went from being a cheerful hooligan to being "mother's friend's son", or, to put it simply, "a suffocating one", from whom his friends and Tanechka herself turned their backs. In addition, they all found a new leader, Oleg, the best snowkayaker in Perm. And now, in order to get his friends and his beloved back, Ivan needs to defeat the snowkayaking champion not only in sports competitions, but also in the fight for his best friends.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Under Tanechka's influence, Ivan Semenov went from being a cheerful hooligan to being "mother's friend's son", or, to put it simply, "a suffocating one", from whom his friends and Tanechka herself turned their backs. In addition, they all found a new leader, Oleg, the best snowkayaker in Perm. And now, in order to get his friends and his beloved back, Ivan needs to defeat the snowkayaking champion not only in sports competitions, but also in the fight for his best friends.

Rating:
Genre:Comedy
Directed By:Kirill Sedukhin
Written By:Mikhail Shulyatiev
In Theaters:
Box Office:

Runtime:75 minutes
Studio:Gala Production, Prospect Mira Film Company, Cinema Foundation of Russia

Articles You May Like


'The Half of it' Handles its Presented Social Issues Thoughtfully

The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.

Andrea Amoroso