Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
It's a Long Road poster

It's a Long Road (1998)

Three separate stories about lonely men from Northern Greece facing turning points in their lives. In "A Silver Coin on the Lips", a bereaved archaeologist works in the ruins of ancient Philippi and embarks on a journey to heal from a major loss; in "The Last of the Lesser Whites", a dedicated game warden helps ornithologists track an endangered lesser white-fronted goose along the Evros River Delta; and in "Vietnam", a dejected furniture wholesaler from Kilkis deals with a painful breakup by drinking in a loud, remote club, leading to an emotional collapse.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Three separate stories about lonely men from Northern Greece facing turning points in their lives. In "A Silver Coin on the Lips", a bereaved archaeologist works in the ruins of ancient Philippi and embarks on a journey to heal from a major loss; in "The Last of the Lesser Whites", a dedicated game warden helps ornithologists track an endangered lesser white-fronted goose along the Evros River Delta; and in "Vietnam", a dejected furniture wholesaler from Kilkis deals with a painful breakup by drinking in a loud, remote club, leading to an emotional collapse.

Rating:PG
Genre:Drama
Directed By:Pantelis Voulgaris
Written By:Pantelis Voulgaris, Giorgos Skabardonis
In Theaters:9/30/1998
Box Office:

Runtime:118 minutes
Studio:Greek Film Centre, ERT, Alco Films

Articles You May Like


Review: The Roses – Marriage and the Sweet Taste of Revenge

The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.

Nilufer Ozmekik