A portrait of an illegal immigrant Chinese child through the imaginary monsters that incarnate his fears and anxieties. A fiction tacked onto a reality. The reality of the illegal aliens in Manhattan’s Chinatown. People who are called ‘invisible’. This portrait gives an image to someone who doesn’t have one and, at the same time, a real person gains the social identity he’s missing by becoming a fictional character. High definition images make sensible impressions of a city as we cross over to the imaginary. Fantasy and social realism, fiction and documentary overlap. Like Superman or Spiderman, Invisible Boy is a contemporary superhero produced by the city today. His monsters appear slowly, at the beginning as scratches on the film stock, someplace in between the diegesis and the actual world. They are the boy’s superpowers. This is a tale in which a boy’s paranoia produces a topographic vision of a city.
'Legally Blonde' remains a standard of feminist filmmaking over two decades after its release, although its poor treatment of racial and sexual minorities make it a product of its time.
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
A Japanese anime movie that brings survival, adventure, and friendship to the big screen.
The "Daredevil" renaissance is finally upon us! As we return to the Netflix show, let's take a look at the ways the show gets blindness right and wrong.
'Alice' is a genre trifecta: one part revenge drama, one part historical account, one part throwback to Blaxploitation—kinda 'Django' meets 'Roots' meets 'Foxy Brown.'
I didn’t love Expecting Amy, the mini-series following Amy Schumer’s pregnancy, but it brought up a lot of great unspoken side-effects of working and growing a human in America.
