Everything The Critics Got Wrong About ‘Pinocchio’
I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration.

Natalia struggles with relentless insomnia and seeks comfort in hypnotherapy. An experimental treatment plunges her into surreal inner worlds where her deepest fears—death, failure, and loss—manifest as haunting revelations. Guided by her therapist, she travels through a dangerous mental labyrinth, where each world shifts unpredictably between redemption and ruin. Insomnia is a science fiction short film that uses artificial intelligence as a tool to delve into the depths of the human psyche.
I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration.
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
An adventure that centers on freedom and captures viewers' hearts.
In a post-Gamergate media landscape, it's ambitious to have a film confront the harsh reactions to women in gaming from a comedic lens.