A man with horrible psychological problems snaps and goes on a short murder spree before being gunned down by the local Sheriff and his deputy. What should be the end of the story is only the beginning as an ambitious doctor decides to test his latest experimental drug on the body of the man. In a Frankenstein-like twist, the drug works all-too-well, and the man comes back, now with super human strength and is near indestructible.
Matt Spease
Director
Phil Giourousis
Dr. Tom Sumner
Mimi Tran
Alison Sumner
Jade Michael LaFont
Robert Kersey
Mitch Mason
Dr. Phillip Spears
Rufus English
Dr. Paul Simpson
Matt Spease
James Kirby
Kristina Castle
Alex Thompson
Sarah Teed
Nancy Sumner
Daniel Ramme
Deputy Hill
Ashley Rebecca Hicks
Danielle
Daisy Owings
Lolita
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.
In 'Little Boxes," an interracial family moves to an all-white town where they face the judgement of others who have never been exposed to people of color before.
It's chock full of dream-come-true moments for Spidey fans, but its lack of substance reeks of a self-indulgence that is rare even in fan fiction
In addition to the cast being delightfully diverse this time around, the film was just loosely-plotted and action-packed enough to keep a casual fan like myself entertained. While I do agree that the writing of Cole left much to be desired for an original character thrust into a preconceived universe, none of the characters seemed particularly fleshed out in terms of personality; however, I think that's to be expected when you're watching a film literally inspired by a video game.
Many call 'Tragedy Girls' a modern-day 'Heathers', and I do see the resemblance. The film asks the same question that all teenagers suffer with: who am I? Well, the movie answers this — you are your online presence.
'Blonde' commits a relentless assault on the autonomy of Marilyn Monroe, reducing the icon to nothing more than a victim of the director's whims.