In the Wake of a Deadad 

This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.

So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.

The Olivia Wilde renaissance is upon us.

Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.

The live-action remake brings adventure and shows viewers why representation is important in a Disney Princess movie.

This delightfully odd horror movie presents a whimsically strange alternate reality to younger audiences.