Lindsay Lohan's Comeback in 'Falling for Christmas'
Lindsay Lohan makes a big film comeback in this amazing holiday comedy of the year.

Antoine is a musician. The forties, he suddenly decides to end his career. After a few days of wandering, he gets a job as a janitor. Mathilde lives in the old building in the east of Paris where he takes office. This is a young retiree, generous and involved, who divides his time between his associational activities and the life of the condominium. One night, she discovers a disturbing crack on the wall of his living room. Gradually, his anxiety grew to turn into panic and if the building collapsed ... Slowly, Antoine befriends the woman he feared to see slip into madness. Between slips and concerns, both form an awkward tandem, humorous and solidarity which will, perhaps, through this bad patch.
Lindsay Lohan makes a big film comeback in this amazing holiday comedy of the year.
Gay representation is out there, but to portray a character who's gay as a big, happy brute is a rare treat.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.
'Yes, God, Yes (2019)' is a coming-of-age tale about a Christian teenage girl discovering her sexuality, the turbulence that comes with it from within herself, and the judgment from those around her.
Suppressed intergenerational family trauma and healing, warm welcome to the Marvel Cinematic Universe team, and Awkwafina's humor really make this film the real MVP.