"Carol": A Gorgeous LGBTQ+ Romance
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.

Dilara decides to go out that night. Although not having any issues with her existence till the day, Dilara starts finding flaws in herself after she was faced with a barrage of criticism from her flatmate Kübra about her apparel as she was getting ready to go out. Questioning and comparing herself with any woman she comes across or any woman embedded in her mind for any reason continuously drives Dilara towards a damaged self-esteem. A surprise ending awaits Dilara who gets back home late at night, exhausted with all these thoughts.
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.
It's good for your film viewing needs, but isn’t going to shake your world. Demonic is trippy sci-fi fun, and that’s about it. And that's pretty cool.
This side-splitting workplace comedy features a diverse cast and tackles challenging social issues. Other sitcoms should take note.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
“Nobody 2” is the kind of sequel you expect to roll your eyes at—and then end up grinning through the whole thing. Bob Odenkirk proves once again that an ordinary-looking guy can be the most entertaining action hero alive, battling cartels with harpoons, deep fryers, and pure chaos. Toss in Sharon Stone as a delightfully over-the-top villain, and you’ve got 89 minutes of wild, joyful mayhem that reminds you why going to the movies is just plain fun.