Professional boxer Sota Kusunoki has gained popularity for his fighting style, where he goes headlong into his opponents. However, years of fighting have taken their toll on his body, and he is forced to retire by a doctor's stoppage. He takes the opportunity of his retirement to marry his girlfriend, Sachiko, and start a new life, but he is completely useless in society and is made acutely aware of the harsh reality of his situation. One day, a mysterious man who claims to be a fan of Sota's receives an offer to fight in an underground martial arts tournament, where he will fight for a large sum of money and where his desires are thriving... The prospect of fighting once again revives his almost forgotten excitement, and his adrenaline surges as if to fill the emptiness in him. Will the madness and honesty of a man obsessed with fighting have a happy ending or a bad one?
Facing the world with our fair share of uncertainties and/or apprehensions, many of which, sadly, may be well-founded, is nothing to sneeze at. Influenced and buffeted by the constant barrage of social media, fake news, and general upheaval present in our contemporary reality, what IS real and what's not becomes a blur.
The beating heart of this film is the relationship between Anna Osborne and Sonya Rockhouse.
One of the reasons that people with albinism have a difficult time being seen and represented in media is probably because there is a small percentage of them.
This side-splitting workplace comedy features a diverse cast and tackles challenging social issues. Other sitcoms should take note.
The plot lags, the moral lessons are misguided, but are those fluffy little donut creatures adorable? Yes. Yes, they are.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
