Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
I'm a Victim of This Song poster

I'm a Victim of This Song 

With I'm a Victim of this Song, Rist takes up the concept of the "cover" version, in which one performer does a version of another's song, and gives it her own twist. Starting with music from Chris Isaak's hit single Wicked Game, she adds her own sung and screamed versions of the lyrics, accompanied by effects-manipulated, diaristic video images. The result is an art-world "cover" of a popular artifact, with a woman's voice reinterpreting the male original, and a vivid illustration of the consumer's claim to own and interpret media images.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


With I'm a Victim of this Song, Rist takes up the concept of the "cover" version, in which one performer does a version of another's song, and gives it her own twist. Starting with music from Chris Isaak's hit single Wicked Game, she adds her own sung and screamed versions of the lyrics, accompanied by effects-manipulated, diaristic video images. The result is an art-world "cover" of a popular artifact, with a woman's voice reinterpreting the male original, and a vivid illustration of the consumer's claim to own and interpret media images.

Rating:
Genre:Fantasy, Music
Directed By:Pipilotti Rist
Written By:
In Theaters:
Box Office:

Runtime:5 minutes
Studio:

Articles You May Like


"The Roses" (2025) Film Review-Marital dysfunction offers plenty of hubris AND humor this time around

Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.

Kirk Fernwood