As every year, German brewery tycoon Karl Schneibel spends the summer holiday on an Italian island with his beloved grandson Christian, near the children's home run by his ma, Dr. Gioia. This year however, Christian's heart isn't in his summer fling but his lover at home, Anna, daughter of Karl's general manager Dr. Werner. Christian has a bad eye in Veronica, the woman who became Karl's much younger lover 'by travel fate', the first thing soon proved untrue. But by then, the Schneibel firm and estate have been taken over according to an elaborate conspiracy, which Christian takes on with some help from his friends.
Giorgio Capitani
Director
Mario Adorf
Karl Schneibel
Marianne Sägebrecht
Fräulein Klara
Antonella Ponziani
Gioia
Francesco De Pasquale
Christian Schneibel
Francesca Romana Messere
Anna Werner
Catherine Spaak
Veronica Benetti
Paolo Gasparini
Sandro Berardi
Enzo Marino Bellanich
Dr. Werner
Luciano Roffi
Anwalt Sammler
Jacques Sernas
Dr. Van Kleest
Desi Arnaz was an innovator in television and Lucille Ball was a sketch comedy clairvoyant of sorts; 'Being the Ricardos' focuses on their genius as a couple, but shies away from the interracial aspect of their marriage.
‘Sexy Beasts’ promotes itself as different from other dating shows as being not appearance-based. This is true to some extent thanks to the special effects makeup. However, looks do still play a role despite the masks.
'Bodies Bodies Bodies', the latest from indie powerhouse studio A24, is a great time. Full of dark comedy laughs, great performances, and genuine scares, it's a perfect addition to modern slasher classics.
As I typed this, Chris Evans was being “cancelled” on Twitter. I did a little research on this since I always thought Chris Evans was well-received. It turns out the backlash is because of a white savior movie he made called Red Sea Diving Resort.
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.