Kanji Watanabe is a middle-aged man who has worked in the same monotonous bureaucratic position for decades. Learning he has cancer, he starts to look for the meaning of his life.
Akira Kurosawa
Director
Takashi Shimura
Kanji Watanabe
Haruo Tanaka
Sakai
Nobuo Kaneko
Mitsuo, son of Kanji
Bokuzen Hidari
Ohara
Miki Odagiri
Toyo
Shinichi Himori
Kimura
Minoru Chiaki
Noguchi
Minosuke Yamada
Subordinate Clerk Saito
Kamatari Fujiwara
Sub-Section Chief Ono
Makoto Kobori
Kiichi Watanabe, Kanji's Brother
Nobuo Nakamura
Deputy Mayor
In Saudi Arabia, a little girl (Wadjda) is told she can't have a bike because she's a girl. Wadjda struggles to obtain a bicycle to race her friend, Abdullah, due to the gender inequality and cultural norms of Saudi Arabia.
Films and TV series often tend to misrepresent or not acknowledge bisexual characters, but recent trends show that bi-erasure is now under deserved scrutiny. So, I’m genuinely happy about the direction bi-representation seems to be taking.
The second episode of the highly anticipated Afrofuturism series delivers with a high-speed race teaching us to go far beyond just accepting ourselves.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
There were too many irrelevant parts that could have been shortened, and too many characters that didn't advance the plot. Either way, some things didn't add up. This was just another played out plot with little, if any, originality in it. By the end of the film, I wasn't happy that she finally got her freedom, I was happy that it was finally over.
Jordan Peele's turn to horror with "Get Out" isn't as unexpected as it may seem. He primed his fans for a disturbing and nuanced exploration of racism with his work on "Keanu" and "Key & Peele."