This experimental documentary delves into the director’s own mother-daughter relationship, featuring real-life dialogues between the director and her mother. The narrative unfolds through static, color-framed images of the mother’s empty apartment, capturing a sense of absence and reflection. These intimate conversations reveal layers of shame, resentment, and longing shaped by alcoholism and custody, creating a raw and deeply personal portrait of difficult love. Created as a Bachelor of Fine Arts graduation project, the work was exhibited in the Young Artists 2019 exhibition at Kunsthalle Helsinki.
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.
The most impressive aspect of this film is the honest and natural performances given by the on-screen duo.
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.
Seven years after George Miller's previous film, 'Mad Max: Fury Road', he dives back into the scene with an equally daring movie. Although not nearly as action-packed, his newest film 'Three Thousand Years Of Longing' challenges the typical format of a film, giving you a well-known plot in an unexpected way.
Let it Snow in a nutshell, is a warmhearted coming of age teen Christmas movie.
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.
