Idhayam Murali 

As a frequent “the book was better” extoller, this movie was well worth the watch. 

“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.

Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.

Ditch the lube and get to the point in the raw, honest, cheeky dramedy written and directed by Mark Schwab.

The original Mothra is a fun monster movie that has way stronger lore, music, and special effects than most of its contemporaries.

The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.