Wanda Maximoff: The Hero We Deserve, Not The Villain We Need
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.

A man on a terrorist mission struggles with his decision on a crowded subway after he meets an innocent child. A déjà vu moment connects him to his haunting past and urges him to question the complex notion of the enemy. What if he had a shift in perspective and saw the world as a better place?
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
What makes the lighting in Casablanca even more impressive is how it reflects the emotional states of the characters without needing explicit dialogue.
With such a raw look at the 15th century, it seems that Disney was really trying to step outside of its element with this motion picture.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.
Swapped combines comedy, adventure and emotional growth while delivering one of the biggest plot twists in animation history.