Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

In the relentless pursuit of success, a quirky actor leaves behind his closest allies. Alone facing himself, he is struck by a disturbing vision. Off to Peru for a spiritual journey.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
When the retelling of the Cinderella fairy tale and a holiday spirit come together, viewers learn about class issues as well as perseverance despite setbacks.
White audiences saw Peola’s mixed-race passing as a Black woman’s struggle to be white. Black audiences saw it as the rebellion of a Black woman trying to gain privileges only given to white people.
Joel Coen has gone solo to create perhaps the greatest version of Shakespeare's 'Macbeth' since Shakespeare himself.