Animal Farm: Viva la Dystopia
This incarnation of Animal Farm is filled with the generic plot points, immature humor, cardboard characters and visual flaws that you have come to know from today’s lesser children’s films.

A seductive expression, a prominent chest, and a huge butt that was too defenseless... For a certain time, I had been glued to Maria, a married woman who lived next door to her house. Then, one day, I forgot to lock the door, and as Maria was stretching at home, my reason collapsed and I attacked her. A few minutes later, when we were done, Maria had a fearless smile on her face, in contrast to the guilt I felt. The next day, I left her house so as not to be found out, but Maria was waiting for me and called me out as expected...
This incarnation of Animal Farm is filled with the generic plot points, immature humor, cardboard characters and visual flaws that you have come to know from today’s lesser children’s films.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
I hope that more people will see Joyland, understand the situation, and eventually change themselves and society so we can have a more accommodating world where everyday tragedies like the one depicted in the film do not occur.
The Outer Senshi get characterization and some stellar moments in the second part of the Eternal movie duo.
An unlikely friendship changes the hearts of men, and helps a young boy come into his own.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.