'Hacks' Is Not a Hack…It's Comedic Perfection
Deborah (Jean Smart) and Ava (Hannah Einbinder) are a delight to watch evolve, sometimes devolve, then evolve again.

In 2004 Picture This and South West Screen commissioned 'I Can See My Way Home' with Spacex Gallery, Exeter, as the second project in the 'Historic Sites' series. The work was originally a two-screen installation produced in response to two historic houses in Devon, Killerton House, a thriving National Trust homes, and Poltimore House, a ruin falling into a state of dilapidation. The caretaker and conservation expert emerges at Killerton, opening the closed shutters of the house, while a torch beam explores the devastated interior of Poltimore. This 11-minute extract is focused on the material Curran filmed inside of Poltimore House with an accompanying soundtrack.
Deborah (Jean Smart) and Ava (Hannah Einbinder) are a delight to watch evolve, sometimes devolve, then evolve again.
If Miguel Alexandre were trying to make a revenge story seem dull without using all the effective formulas that work great in this catchy genre, he could not have accomplished his purpose much better than he unintentionally has in Black Island.
Disney's newest Latine animated musical, 'Encanto', features a super colorful cast, fun music, and a surprising conflict about intergenerational trauma.
Lin-Manuel Miranda’s 'Vivo' is a children's animated musical rich in Hispanic culture! The story follows a kinkajou as he delivers a love song for a friend.
In a post-Gamergate media landscape, it's ambitious to have a film confront the harsh reactions to women in gaming from a comedic lens.
It's not love. It's Obsession. The hook of this movie is the tension between wanting to be loved and the fear of being all-encompassed by that love. It plays on men’s typical (though certainly not universal) inner-conflict