A Family Celebrates 'Christmas on Mistletoe Farm'
For one widowed father and his five kids, an extraordinary gift will change their lives forever.

HUNGRY GHOSTS is a collaboration between the artist and the curator. The video installation provides an ephemeral form where interdisciplinary elements from the disparate past are configured with unsettling current issues and produced as a new whole. Fleeting moments, manipulated images, visual clips, still photographs, text, narrative stories, home movies, sound bites, edited fiction and real time documents will be digitally seamed and beamed onto transparent surfaces. The video projections shown in a moving vaporetto (sea bus) will transport both the work and audience on a journey. The time-based work will float by the post-modernism of Venice, a rich port for thriving trade and now in the 50th edition of the Venice Biennale, the international art market converges to make the trade. This work is a site of memory where the very private becomes public. It is a virtual ‘walking the mountain’, a way to honour and remember those who have gone before.
For one widowed father and his five kids, an extraordinary gift will change their lives forever.
The sequel following The Son of Bigfoot explores Adam's conflict of discovering his true identity as he tries to save a wildlife preserve.
If you've watched 'Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles', you are either someone who believes “nothing happens” in this three and half-hour film or you’re like me who believes everything happens.
A complex, realistic, and loving mother-daughter relationship is at the heart of this story about Black pageants and the fight for a better future.
Films and TV series often tend to misrepresent or not acknowledge bisexual characters, but recent trends show that bi-erasure is now under deserved scrutiny. So, I’m genuinely happy about the direction bi-representation seems to be taking.
Falling in love with 'Rocketman" all over again.