Opposing the Reviews for "Horse Girl"
One of the great achievements of this film is its ability to challenge the mind and to force you to try to process information in a different way than you’re used to.
Howdy Broadway (1929)
A story about wild youth is framed in this early musical from Poverty Row company Rayart that includes such songs as “I Want You to Know I Love You”, performed by Ellalee Ruby and Tommy Christian and his band; “Somebody’s Sweetheart — Not Mine,” “Gypsy Love,” and the title tune. Christian plays Tommy, who reluctantly agrees to lead his band at a dance in a speakeasy where Lulu (Lucy Ames) may catch the attention of a Broadway producer. The club, however, is raided by the police and Tommy not only loses girlfriend Betty (Ruby) but finds himself expelled from college. Taking his band to Broadway, Tommy lands a spot in a high-class revue and is soon joined by a repentant Betty. The youngsters sneak away to get married while Jack Clark performs a furious tap dance.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
A story about wild youth is framed in this early musical from Poverty Row company Rayart that includes such songs as “I Want You to Know I Love You”, performed by Ellalee Ruby and Tommy Christian and his band; “Somebody’s Sweetheart — Not Mine,” “Gypsy Love,” and the title tune. Christian plays Tommy, who reluctantly agrees to lead his band at a dance in a speakeasy where Lulu (Lucy Ames) may catch the attention of a Broadway producer. The club, however, is raided by the police and Tommy not only loses girlfriend Betty (Ruby) but finds himself expelled from college. Taking his band to Broadway, Tommy lands a spot in a high-class revue and is soon joined by a repentant Betty. The youngsters sneak away to get married while Jack Clark performs a furious tap dance.
Rating:
Genre:Comedy, Music
Written By:Charles J. Hunt
In Theaters:10/16/1929
Box Office:
Runtime:48 minutes
Studio:Rayart Pictures Corporation
Articles You May Like
Short Film Spotlight: An A Peel for Justice by Jeff Aquino
Jeff Aquino’s film “Viral” placed second in 2020’s Incluvie Film Festival fest, he’s back again with his film "An A Peel for Justice".
'Luther: The Fallen Sun', Idris Elba’s Netflix Vehicle, Fails to Make the Point
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
'Ms. Marvel' Season 1 Review: Marvelous Muslim Representation in Mainstream Media
It’s not often in America that you turn on the TV and see a show or a movie with a Muslim protagonist. And when they do, they're usually a negative stereotype. Ms. Marvel changes all of that.
Eve and Villanelle's Bond Breaks Barriers in 'Killing Eve'
I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.
How to Make a Misogynistic Movie and Call it Feminist
"Ladies First" has a fundamental misunderstanding of what's feminine because of the patriarchy and what women do because they genuinely enjoy it.