House of Summer (2019)

It is not hard to make a musical biopic that pleases audiences and draws a profit.  Michael is no exception. 

For viewers who love eating burgers, shakes and fries on the go along with a tasty side of nostalgia.

Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.

This coming-of-age movie based on the 1970 book by Judy Blume gives viewers a scope on female topics in the quest for a religious identity.

With such a raw look at the 15th century, it seems that Disney was really trying to step outside of its element with this motion picture. 

Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint.  The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.