Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
House of Gucci poster

House of Gucci (2021)

When Patrizia Reggiani, an outsider from humble beginnings, marries into the Gucci family, her unbridled ambition begins to unravel the family legacy and triggers a reckless spiral of betrayal, decadence, revenge, and ultimately… murder.
3.0 / 5
PopScore
Incluvie Stamp
Incluvie Stamps
Representation

Incluvie Movie Reviews


Daniel Shaw
December 9, 2021
3.0 / 5
PopScore
Incluvie Stamp
Incluvie Stamps

The Genuinely Good and Painstakingly Bad of 'House of Gucci'

After now seeing the film, my mind is quite torn on whether it can be considered good or bad. A part of me feels it’s too weird for such directness and has launched itself to the high shelf of camptitude. But alas, there are a few pins weighing the film down, and they’re unfortunately hard to miss. And so, to be conclusive, we must go through the genuinely good, the painstakingly bad, and the all-out fun of House of Gucci.

[read more]

Pictures and Videos


Incluvie Gala

Movie Information


When Patrizia Reggiani, an outsider from humble beginnings, marries into the Gucci family, her unbridled ambition begins to unravel the family legacy and triggers a reckless spiral of betrayal, decadence, revenge, and ultimately… murder.

Rating:
Genre:Drama, Crime, History
Directed By:Ridley Scott
Written By:Becky Johnston, Roberto Bentivegna
In Theaters:11/24/2021
Box Office:$153,235,995
Runtime:158 minutes
Studio:Metro-Goldwyn-Mayer, Bron Studios, Scott Free Productions

Articles You May Like


"First Girl I Loved": A Well-Intended but Ultimately Flawed Story of Identity

Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian. 

Marisa Jones