Star Wars Episode VIII: The Last Jedi. The Best Post-Disney Star Wars Film
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.

Ann and her sister Betty live with May and Connie, who all work in real estate. Connie succumbs to pressure to be very nice to male clients, so to increase sales. Connie is also nice to nasty gangster Frankie, who fancies anything that moves, but particularly, Ann and Betty. There's also ex-rascal Tong, trying to keep out of trouble for the sake of his young daughter Wai. Kind-hearted Ann is good friends with them. Tong has a pal just out of jail, Chi. May is bored with her boyfriend, and leaves for Europe with another guy. Frankie tries dirty tricks to snare first Ann then Betty, and he involves Connie in a blackmail scheme. This results in innocent people getting killed, and a gory gun battle for revenge, which leaves only one of the story's characters alive at the end. The sequel, Body Lover, starts in the same scene as the finish of HK Eva.
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.
It’s easy to dismiss Joel and Ethan Coen for writing from the world they build from outside the box of overarching Hollywood stereotypes, but their inability to compromise their collective vision is precisely what makes the simplistic nature of their world-building and characters so brilliant. It’s also what led Fargo to collect seven Oscar nominations and two wins for Best Original Screenplay and Best Actress for Frances McDormand’s brilliant portrayal of the sincere, motherly detective whose wholesome demeanor seizes the day over the selfishness, corruption and evil of the men who don’t comprehend that there’s more to life than a little money.
Cord Jefferson's hilarious and thought-provoking film continues a long-standing cinematic tradition, expanding the conversation around the impact of systemic racism in today's media.
A pop star at Radio City Music Hall gets the opportunity to change herself to save her music career.
During the rise of fascism in Mussolini's Italy, a wooden boy brought magically to life struggles to live up to his father's expectations.