Trans Allegories in Film: 'Shrek' (2001)
Films can alleviate alienation by presenting realities where the viewers feelings are shared by onscreen characters. The film 'Shrek' can be interpreted as a transgender story.

Shy, sensitive high school outsider Jakob Moormann is miserably lacking immaterial support at home, where his strict father, uniformed cop Claas, and selfish mother are too busy breaking up to be there for him. Jakob focuses on class dream-girl Hannah, without much luck. His secret recording of himself masturbating gets into class bullies Henry and Erik's hands through the mother's thoughtlessness. The rascals blackmail Jakob and post the video on the Internet. After a raging lecture phase, dad stands up for Jakob, but his life is already wrecked more than anyone realizes.
Films can alleviate alienation by presenting realities where the viewers feelings are shared by onscreen characters. The film 'Shrek' can be interpreted as a transgender story.
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.
The idea of Rosemary's baby but with lesbian partners drew me in, and I was anticipating what the film had in store with its reimagining. Unfortunately, it all felt a little too vague to leave an impact.
Frozen II is not quite direct to DVD Disney sequel level, but if it wasn’t for the spellbinding animation and budget, it certainly would be.
At least we got the original cast back, right? Not even that saves it. None of them could bring a sliver of hope to this special. Rather, they bring dread as we witness the light leaving from their eyes.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch