Film director, Andrei, and his girlfriend, Paula, face the news of becoming parents. While the future mother is struggling with no worthy role models, the soon-to-be father must reconcile with the figure of his own father, now a monk on Mount Athos.
At its heart, it’s a fond tribute to an influential artist and thus one that can speak to everyone’s inner artist, even if it lacks the sincere commentary you may wish to see.
Disney+'s The Falcon and the Winter Soldier is over, but that doesn’t mean discussion about it has stopped. One of the most controversial characters on the show that’s still stirring up discourse is John Walker. Many have debated his morality online: Is he a hero, a villain, an anti-hero?
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.
This Disney+ movie is about a 12-year-old math genius who wants to become a rapper.
KIMI is the main character of this film and as much as I wish it was Angela Childs played by Zoe Kravitz, it isn't. KIMI is a smart device that works not unlike Amazon's Alexa and Google's Nest assisting in anything from home purchases to music playing all under the guise of only activating when in use.
