In a Provençal village, two jolly good fellows, Boule and Pons, decide to dress as Saint Anthony and Saint Nicholas for the distribution of presents to the children on the feast of Saint Nicholas. They unfortunately get killed by a cart and find themselves in Hell where Lucifer and his demons duly torment them. They are saved by a prayer which helps them to climb the stairway to Paradise. Saint Peter, taken in by the applicants' disguise, lets them in. When the two true Saints show up, trouble follows. Luckily, thanks to the intervention of the Virgin Mary, the two friends are acquitted at their celestial trial and allowed to return to Earth.
(Disclaimer: Harmful Language) In celebration of Pride Month, Father's Day, and father figures (and whoever supports you), I revisit Moonlight's brief but spectacular character, Juan. With overarching themes tied to masculinity, I reexamine his intimacy with Little.
Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
'The Invisible Man' triumphs in tension even as it drops the ball on genuine surprise for the audience.
An aspect of She-Ra that I find refreshing is even though a large portion of the cast is on the LGBTQ+ Spectrum, being gay is never mentioned. While this might initially sound like a negative thing, in the show’s land of Etheria being on the gay spectrum is shown to be so common and normalized that straight isn’t the default. As much as there is to appreciate about narratives revolving around the obstacles that may come from being non-heteronormative, it’s nice to get immersed in a world where no one bats an eye at all to any sort of differing identity.
Though often underwhelming as a whole, Nevertheless is worth the watch because of the relationship between Sol and Jiwan. It is a stunning, refreshing take on the friends to lovers trope that LGBTQ media has been missing.
