One night, a man named Sakaki gets into the taxi driven by Masayo. He asks to be taken to a desolate stretch of coast. Although Masayo wants to avoid getting mixed up in trouble, she reluctantly starts the car after Sakaki flashes a thick wad of cash. As the taxi drives through the city at night, the two reflect on their respective pasts; both harboring a sense of loneliness, they gradually come to understand one another.
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.
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