The New ‘Old’ Hollywood that is ‘Babylon’
‘Babylon’ is an exhilarating journey one has to brace themselves for

Jerome Archer is a retired hit man living the straight life as a retail bookstore manager. When he is coerced by a pair of industrious United States Census Bureau agents to hunt down a dangerous, young contract killer, Jerome suddenly has a life-altering choice to make: will he be forced to return to his old, murderous ways... or will he find a new way out?
‘Babylon’ is an exhilarating journey one has to brace themselves for
Despite the film’s efforts to reframe its heroine with modern complexity, a certain emotional distance lingers.
Those perfect Summer or Fall days. The sun is shining, the temperature is JUST right, and you've got nothing else to do. Therefore, isn't it time to get outside and take a nice stroll through the park, or along the shoreline (should you be that fortunate), or even just around the neighborhood? Sure. BUT.....if one lives in the America found in the newest film adaptation of the work from horror author/cultural icon Stephen King.....doing this SHOULD be the LAST thing you hope to find yourself engaged with.
True crime media is notoriously obsessed with the “missing white woman” trope, and yet the vast majority of American murder victims are male, and well over half are people of color.
A homeless girl faces depression and uncertainty during the holidays.
If you've watched 'Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles', you are either someone who believes “nothing happens” in this three and half-hour film or you’re like me who believes everything happens.