When Lee Sam, a ten-year veteran of the Hong Kong underworld, is released from prison, he dispatches two enemies and goes into hiding in Taipei where his old friend Billy is a boss. Billy is a hothead whose rivalries with other gangs put Sam at risk. After bailing Billy out a couple of times, Sam tries to get out of the Mob life. He retires to the coastal town of Tainam, works as a fishmonger, and falls in love with the sister of Crow, a 20-year-old who wants to work for Billy. Can Sam quit violence for good, start a family, and protect Crow?
In Stowaway, director Joe Penna narrates the story of a starship crew (Anna Kendrick as Zoe Levenson; Toni Collette as Marina Barnett; and Daniel Dae Kim as David Kim) struggling with serious technical problems on a two-year mission to Mars. During the trip, they discover aboard the presence of Michael (Shamier Anderson), a stowaway who jeopardizes everyone’s life on board.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.
Christopher Nolan transforms Homer's ancient epic into one of the most breathtaking cinematic spectacles of his career. While its nonlinear storytelling and exposition occasionally hold it back, The Odyssey is a visually stunning, emotionally resonant blockbuster that demands to be seen on the biggest screen possible.
There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it.
A young woman finds herself trapped in a crossfire of awkwardness during a nightmarish dinner party with her boyfriend's dysfunctional family.
