A troubled Catholic priest, Father James, finds his faith crushed when a young girl he promises to protect commits suicide. Months after her death, he is forced to return to his old parish and to the scene of her suicide, a derelict mansion house. Trapped in the house overnight James becomes convinced that he is being haunted by the ghosts of the girl and her dead Stepfather, risen from the grave to seek a blood retribution for the awful tragedy that he allowed to take place
Adrian Chiarella’s Leviticus is a beautiful, poignant, enraging, gut-wrenching, and heartbreaking film about the trauma and harm conversion therapy inflicts on young queer people. Even though its classification as horror holds, the emotional bond between the two main characters, Naim and Ryan, elevates the story into a realistic romantic drama on par with Eternal Sunshine of the Spotless Mind.
'Playing with Fire' was clearly a film made for a kid or tween-ish audience. Keeping that in mind, I thought 'Playing with Fire' was alright, though it did portray some harmful stereotypes.
There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it.
Where is Lilo's face? Disney marketing sends a chilling signal: that even in 2025, an alien is more palatable and marketable than a brown girl.
A collection of the ten best films that captured William Shakespeare’s pathos the best, both for the diversity they bring, and of course “the aesthetic."
A successful author’s life is upended when she finds herself on a plantation straight out of the antebellum south.
