'Shakti': A Survival Guide
Shakti’ is a survival guide for women all over the world.

When Sonya Daniels finds the birth certificate of a kidnapped baby, hidden in her late mother's home, she's shocked. What was her parents' connection to the missing little girl and could her mother's murder somehow be connected? Sonya hires attractive detective Brandon Hayes to help her investigate. But someone will stop at nothing to prevent them from uncovering the truth. Determined to unravel the mystery, Sonya doesn't realize how deadly the answers she's looking for will be. Based on Lynette Eason's Harlequin Love Inspired - Suspense novel Her Stolen Past.
Shakti’ is a survival guide for women all over the world.
Juno is extremely funny, very well-written, and contains great performances. The film is also about a very important topic, one that is extremely relevant now: women’s reproductive rights. Is this Oscar-winning film spreading a pro-life or pro-choice message to its audience?
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
The way Jeannette has to deal with child neglect makes her insecure about her parents and how she was brought up and raised in the United States. This continues into adulthood, where Jeannette becomes a successful journalist and is frequently asked about her parents by others.
Anna May Wong was a talented actress and a fashion icon and still had to fight for everything she had due to hatred and racism.