Recent divorcee Alison is nervous about jumping back into the dating pool. When her best friend sets her up on a dating site, Alison is matched with Vincent, a mysterious man who appears to be too good to be true…because he is. Will Alison uncover the truth about Vincent’s motives before it’s too late?
The 'Hawkeye' season finale features all kinds of cool characters and resolves its loose plot threads efficiently, yet it's lacking when it comes to the vital development of its characters.
In the spirit of Halloween, here's a list of body horror films which can be interpreted as trans allegories.
A direct fall into the white savior narrative
In Stowaway, director Joe Penna narrates the story of a starship crew (Anna Kendrick as Zoe Levenson; Toni Collette as Marina Barnett; and Daniel Dae Kim as David Kim) struggling with serious technical problems on a two-year mission to Mars. During the trip, they discover aboard the presence of Michael (Shamier Anderson), a stowaway who jeopardizes everyone’s life on board.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
