Looking Behind the 'Z-O-M-B-I-E-S' Trilogy
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.

HELLO. I KNOW WHERE YOU ARE. I KNOW WHERE YOU LIVE.
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.
The film blends reality and the supernatural world together, leaving the viewer unsure of what’s real and what’s merely a figment of Michael’s agitated imagination.
This captivating film can only be truly appreciated by seeing it firsthand. There are not enough words to describe the terrible beauty one experiences while watching it.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.