Getting Lost in Amsterdam
Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York

The revue theater "Red Mill" is in crisis, the owner has no money to pay the salaries of the employees. When the bailiff hands the director an order to seize the theater's assets, an elegant gentleman engineer Fred Kampinos unexpectedly appears and offers his help.
Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York
Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.
Despite the film’s efforts to reframe its heroine with modern complexity, a certain emotional distance lingers.
An excellent exploration of taking a joke too far.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
Directed by George Miller, Thunderdome continues to follow the titular character through post-apocalyptic Australia.