The young siblings at the Hejrenæs estate, Vibeke and Hans-Henrik, have always gotten along well, so Hans-Henrik decides to celebrate his sister's 21st birthday with a big party at the estate. During the party, the siblings' childhood friend, Ulla, provokes an engagement with Hans-Henrik, and at the same party, Vibeke learns that she is "only" an adopted child. From that day on, Vibeke realizes that she is in love with Hans-Henrik, and suddenly the stage is set for a sharp conflict between Ulla and Vibeke.
Svend Methling
Director
John Wittig
Godsejer Hans Henrik Thann
Astrid Villaume
Vibeke Thann
Karin Nellemose
Tante Sofia
Maria Garland
Tante Hortense
Lisbeth Movin
Ulla Biehle
Ib Schønberg
Godsinspektør Sejersen
Johannes Meyer
Herskabstjener Blackhøj
Knud Rex
Skovfoged Ulf Henningsen
Bendt Rothe
Fabrikant Helge Knudsen
Carl Heger
Dyrlæge
Peter Poulsen
Savværksbestyreren
Like millions around the world, I've been waiting four years for the renowned #SnyderCut. I'll never forget sitting in the theater on opening night, witnessing a CGI mouth on Henry Cavill's face about five seconds into Justice League. That's a thing of nightmares if I must say. Anyways, right then and there, I knew I desperately needed Zack Snyder's film.
This feels like the creative team wanted to make a body horror film, but the studio wanted to make another generic blockbuster.
A young girl named Hailey Mays sings a country song that is named after the film's title.
This is not a story of oppression but a story of liberation.
It is a truth universally acknowledged that a single woman will be happiest if she marries a man with a good fortune, similar upbringing, matching attractiveness levels, and compatible politics.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.