I'm Going to be Late
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.

From the opening theme song to the grand finale, you know that you have found something special as this exciting movie stars the great Misora Hibari in one of her most memorable performances as she plays Shintaro and Oharu, a brother and sister, the children of a lumber dealer who had been murdered by the evil boss Kumagoro who plots to take over Shintaro's family business with the help of a corrupt deputy who has fooled the family into believing that he is on their side.
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.
One thing’s for certain: Holmes has star power. We may not be able to see everything, but we’re certainly all watching.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
Like most young people, Leviticus is imperfect. But I love it anyways.
The sequel to the 2010 live-action movie focuses on sibling rivalry.
With mismatched eyes, a willingness to experiment with hair color and style, and a rail thin frame, Bowie always drew attention. But he shunned gendered attractiveness, creating his own space somewhere in between. This hallucinatory and often nonlinear 2022 documentary is a perfect salute to David Bowie’s life and career. Rather than interviewing those that knew Bowie, the standard convention for biographical portraits, director Brett Morgen mostly lets the artist’s images, performances, videos, and words speak to capture the essence of the artist. Bowie was more than just a pop star. He painted, sculpted, acted in films, and was a thoughtful and articulate person who gave sincere answers to even the most shallow interview questions.