It’s a bird, it’s a plane…it’s "Harriet"!
This is not a story of oppression but a story of liberation.

To honour his father's dying wish, a man goes in search of his old friend and along the way he experiences love, betrayal and revenge.
This is not a story of oppression but a story of liberation.
We got a movie that takes the old school approach of trying to creep you out with chilling atmosphere more than anything else.
A science fiction movie brings a strong diverse cast and adventure in outer space.
An indie production of a romantic drama with a country-western feel meant to explore lost love.
This is a movie that combines a ghost story, revenge tale, and serial killer obsession into a cinematic experience that uses your fears against you.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.