Having Fun Up There follows Mark, a 37 year old musician in crisis. Mark has long since given up on the idea of being successful with his music, but his relationships, job prospects, and self-esteem are strained by his desire to continue playing. Throughout the Fall, Mark tries to get a handle on his better-late-than-never adulthood, as his art continues to both destroy him and save him.
Frankie Frain
Director
Jon Ryan
Mark Kessel
Maria Natapov
Carla
Lisa Lynn Dempsey
Beth McMillion
Hana Carpenter
Kerry (Berklee Girl)
Frankie Frain
Noah
Charlie Tacker
Neil Kessel
Rhiannon Angell
Idea Person
Luisa Maria Badaracco
Jen Kessel
Jason Baldock
Hobnail Boots Drummer
Chris Barrett
Hobnail Boots Keyboardist
Shyla Beal
Birthday Party Guest
'Yes, God, Yes (2019)' is a coming-of-age tale about a Christian teenage girl discovering her sexuality, the turbulence that comes with it from within herself, and the judgment from those around her.
The Last Duel is about rape. Although the film delves into rape culture in medieval Europe, there are many striking similarities to modern rape culture.
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”
The assassins in Bullet Train are quirky, deadly, and diverse. Yet, they all seem to be some type of caricature. While the movie is fun and action-packed, it’s also packed with stereotypes that don’t make for the best representation.
Is God Is tells a harrowing tale of retribution, sisterhood, and gender based violence. Far too eerie and clever to be an ordinary slasher, but too gory and merciless to be an ordinary thriller, Is God Is will appeal to the highbrow horror lover with generational trauma anywhere.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.