Hatamoto kobushin shū 

In 'Maestro,' we're left with an impression but not with an understanding of the main character.

Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.

I Love You Forever, marketed as a “subversive” romantic comedy is in fact a painful horror film about a young woman deep in the throes of an abusive relationship.

An action film led by two queens, fighting for what they believe in through power and pain.

The height of subversive horror cinema is Jennifer’s Body. No, I will never budge on that. Yes, Cabin in The Woods is funny, Scream is very well made, and the Scary Movie franchise is …. there. But nothing is quite as satisfying as watching the teenage succubus that is Jennifer Check rip apart boys. In the post #metoo era where the industry is far from changed, watching revenge flicks like these is probably one of the most cathartic experiences due to the slow-moving progress being made.