Jason Avery is an ex-cop now working as a museum security guard. Armed thieves break in intent on stealing a priceless obelisk that's stored within this vault-like stone structure. The scientist behind the theft talks of the obelisk giving him the power to control harpies, demonic winged female monsters of classic mythology. Through a series of contrived events, the obelisk opens a time portal that Jason promptly falls into, crash landing over a thousand years in the past in a land threatened by evil harpies.
He’s a nine-time Oscar host and a revered comedy legend. He’s an up-and-coming comedy star who was a voice in the biggest animated movie of all time. So what happens when these two are forced to work together?
The Christmas Horror section of films is growing, and today we present a bold selection of new and old Christmas horror films to celebrate this macabre union.
The genres of science fiction and fantasy are not exclusively masculine territory. Over the last few decades, female directors have brought to the screen some of the most visually stunning, intellectually daring, and deeply moving works of speculative fiction. From big Hollywood productions like Wonder Woman and Captain Marvel to independent low-budget films, women filmmakers are making a name for themselves around the world.
Desi Arnaz was an innovator in television and Lucille Ball was a sketch comedy clairvoyant of sorts; 'Being the Ricardos' focuses on their genius as a couple, but shies away from the interracial aspect of their marriage.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.
Welcome to Ryan Reynold's world. Dwyane Johnson, Gal Gadot and us are just living in it. Is he acting? I think he is, it's just the question of it's believable anymore.
